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Thus, the nobility of Antigone’s personality lies in her reluctance to sentence her sis, whereas her tragic downside lies in her fanatical devotion to the guys in her family, for the point that she would like to lie with her brother’s cadaver.
Antigone’s fall comes when ever she is caught burying Polyneices’ corpse, plus the fact that her subservience to patriarchy is definitely the precise reason behind this fall is exposed in Creon’s response. When Creon criticizes Antigone with her early serious, but before Ismene enters in her try to claim responsibility, Creon inform Antigone that she should certainly “Then drop the dead. If you need to love, / love them. Simply no woman’s gonna govern me” (599-600). Hence, it is Antigone’s devotion to honoring males which gets her imprisoned, and it is the cultural patriarchy of her society which will condemns her to staying buried with your life, perfectly illustrating how Antigone’s own tragic flaw outcomes not only in her fall but also in the over-the-top severity of her abuse. It is her own fault not only to get caring a lot about her brother’s corpse, but likewise because this lady has consistently recognized the very patriarchal society which usually condemns her in the form of Creon.
Even Creon’s punishment, that she become buried surviving in a burial place, can be seen because the patriarchy casting Antigone back into the womb from the earth, so that Antigone’s committing suicide may be read as an act of defiance pursuing her recognition that she has put her faith inside the patriarchy too long. By eliminating herself, the lady does not enable Creon to cast her aside and denigrate her defiance since something “merely” feminine, and she rather acts as the catalyst to get the subsequent fatalities in the history, ultimately revenging herself after Creon by simply destroying equally his feminine counterpart Eurydice as well as his son Haemon. By precipitating the deaths of not simply Creon’s child but likewise his wife, Antigone works in deconstructing the myth of potency Creon has built up around him self. Thus, though Antigone suffers a very disproportionate abuse for her subservience to the dominating power composition, she non-etheless is given a moment of wisdom and payoff following her fall, mainly because her decision to kill herself can be ultimately the best means at her fingertips to combat that very power structure.
Antigone is obviously a tragic heroine in the sense that her tragic catch ultimately leads to her downfall while non-etheless offering several little bit of respite in the form of wisdom. In this case, her flaw is actually a devotion to patriarchy in spite of her personal best interest (which is essentially the feminine comparable version to the manly flaw of hubris, in least as long as the character types exist within a predominately patriarchal society). She’s condemned to death due to it, nevertheless she finally rebels, picking to destroy herself instead of allowing her defiance and death being used as a means of reinforcing the patriarchy.
Work Mentioned
Sophocles. Antigone. Vancouver Area University, Might 2005. World wide web. 4 August
