Download now
Henry Matisse biography
Holly Matisse (1869–1954)
The french language painter, given birth to in Picardy. He researched art in Paris, replicated pictures in the Louvre and was influenced by the Impressionists, Cézanne and Gauguin. In 1905 he became the leader of a revolutionary group of music artists, labelled ‘Les Fauves’ (‘wild beasts’).
To them color was result in itself and its use was unconnected with the colour in the subject pictured. Matisse protected large unbroken areas with colour, ignoring perspective as well as the distortion their absence produced, but learning about new attractive effects by vibrancy and luminosity in the colour by itself, yet although effect of his work was to hasten the arrival of abstract artwork, he himself was not a great abstract artist.
Similarly, though his color patterns often took geometrical shapes he was never a Cubist. The truth is as the years went by he reduced the element of physical violence, and ‘balance, purity and moderation’ started to be his aspires. Just as fruit and flowers supplied him with attractive themes therefore did ladies – his Odalisques decorate and joy but communicate no sensual message. After a period in which his pictures started to be smaller and less spontaneous, he was again, in the 1930s, looking for bolder results.
A commission payment for the Barnes Foundation (Pennsylvania) allowed him to attempt murals. His last years were generally devoted to developing and decorating with decals and stained glass a Dominican church at Vence near Nice, but even though he was more than 80 this individual showed his versatility within a new way by using attractive collages (paper cutouts) as an art form.
Holly Matisse resource
Henry Matisse (1869–1954)
French artist, born in Picardy. This individual studied art in Paris, copied images in the Louvre and was influenced by Impressionists, Cézanne and Gauguin. In 1905 he became the leader of the revolutionary band of artists, labelled ‘Les Fauves’ (‘wild beasts’).
To them colour was end in alone and its work with was unconnected with the colour of the subject matter portrayed. Matisse covered large unbroken areas with coloring, disregarding perspective and the contortion its lack produced, but discovering fresh decorative results by the vibrancy and luminosity of the colour itself, but though the effect of his job was to accelerate the appearance of summary art, this individual himself has not been an summary painter.
Similarly, though his colour patterns often had taken geometrical shapes he was by no means a Cubist. In fact while the years went by he lowered the component of violence, and ‘balance, chastity and moderation’ became his aims. In the same way fruit and flowers supplied him with decorative topics so performed women – his Odalisques adorn and delight but convey zero sensual message. After a period by which his photographs became smaller and less spontaneous, he was once again, in the 1930s, seeking bolder effects.
A commission for the Barnes Foundation (Pennsylvania) allowed him to undertake murals. His previous years had been mainly devoted to designing and decorating with murals and stained cup a Dominican chapel by Vence around Nice, nevertheless even when having been over eighty he confirmed his flexibility in a fresh way through the use of decorative collages (paper cutouts) as an art.
