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Excerpt from Essay:
Intertextuality / Small Red Operating Hood
Small Red Operating Hood, such as the traditional type of the fairy-tale familiar to present day The english language language audiences, has just been eaten by Big Awful Wolf, then rescued via his abdomen. This is what this wounderful woman has to say, in lyrics authored by Stephen Sondheim for In the Woods:
And i also know things now, various valuable things
That I hadn’t known just before:
Do not put your faith in a hat and a hood
They’re not going to protect you the way that they can should.
Even though scary is exciting
Wonderful is different than good.
Now we all know, don’t be frightened:
Granny was right
Only be prepared.
Isn’t very it wonderful to know a lot?
And a little bit not (Sondheim 69)
Sondheim is quite intentionally allegorizing the story of Very little Red Using Hood as being a story of a girl’s experience of puberty. Nevertheless how did Red Driving Hood are able to turn its wolf into a sexual predator? The same tendentious reading in the fairy tale is definitely echoed inside the 2005 film Hard Chocolate, which starred Canadian occasional actress Ellen Site. (That Site would afterwards become Oscar-nominated for a film about a pregnant teenager displays that her metier as an celebrity apparently requires narratives of adolescent libido. ) In Hard Sweets, Ellen Webpage plays a postmodern intertextual Little Red Riding Cover.
The important thing regarding the Little Reddish Riding Cover of Hard Candy is her intertextuality. I am using this term to mean a thing specific – something much more than allusion. Easily made a film about a girl who robs banks, when you wear a reddish colored hood, and called that Little Reddish colored Riding Bonnet, that would be a great allusion, possibly I would be to name her antagonist Law enforcement officials Commissioner Wolf. The reason this hypothetical film is not really intertextual is basically because although it refers to the Small Red Using Hood tale, it does not also allude to an Interpretation of that story. Intertextuality not only requires a knowledge of a lot of original textual content, it requires a knowledge of a college of interpretive thought about that text. Dialling two character types Adam and Eve is definitely an rappel – yet using them to create a point regarding Original Desprovisto is intertextual, since it requires not only understanding of the text (in this case, Genesis) but the knowledge of customs of how to learn that text (in this situatio, Christianity). In this case, Hard Sweets is doing a thing more than alluding to Perrault and the Siblings Grimm. Though in one important way Hard Candy units itself as its own kind of cinematic mythic, insofar as it invites all of us
