Bien Very, as it implies, can be described as story that invests in physical appearance. Throughout the account, prettiness is employed as a proxy server for authenticity and confidence in one’s identity, while ugliness is known as a stand-in intended for performed id. Flavio’s presence initially attracts Lupe because he physically calls to mind historical Aztec images. She finds him quite, however , not because he offers symbolic ethnical value, although because he is definitely comfortable in the modern Philippine identity. Only after Flavio leaves truly does Lupe work with ‘pretty’ to reflect after her personal authenticity: “Everything’s like it was. Except for this. When I look in the reflection, I’m unpleasant. How come My spouse and i never seen before? inches (160). From this passage, Lupe becomes important of her appearance and, by web proxy, of the inauthenticity of her performed id. This self-reflection is pivotal because it begins a series of reflections in which Lupe questions philosophy she has organized to this point in the story. This passage starts off the trend of self-reflection that leads her faraway from her give up hope over her lost want to a new concentrate on self-sufficiency and the present.
During the first half of the tale, Lupe is in constant dialogue with her lived earlier and what she imagines her our ancestors past to be. “We have to let go of the present lifestyle and look for our past…Like the My spouse and i Ching says, returning to one’s roots is usually returning to your destiny, inches she explains to Flavio (149). Lupe seeks authenticity by simply reaching towards her past. She holds her existed past with her in the objects the girl brings to Arizona and attempts to connect to her ancestral previous through holy texts and trinkets. Each of our primary use of Lupe’s individuality and pursuits is through the objects in her lifestyle. Many of these things (her grandmother’s molcajete, her tapes, her copal) demonstrate an interest in or connection to Philippine origins. But many others (the I Ching, the Tibetan gongs, her references to chakras and Tae-Kwon Do) show a multicultural element to her existence. She explicitly states her desire to be Philippine, but she also surrounds very little with objects that suggest a desire to connect to a few universal local wisdom. Lupe’s hunger for the connection to an ancient heritage exists in her first communications with Flavio. Even before the girl finds him pretty, could she loves him, she is able to enjoy Flavio’s physical features simply by relating these to Aztec images. She identifies “that gorgeous Tarascan deal with of his” as “the face of any sleeping Olmec”. Initially, Flavio has appeal because he is reflecting a earlier that Lupe is famished to connect with.
Pertaining to Lupe, prettiness isn’t just about “good-lookers”, it is something more subjective. In the story’s opening, she, because the narrator, tells us that pretty is a conditional express. Flavio “wasn’t pretty unless you were in love with him” (137). Throughout the span of the story, Flavio, who commences as “just ordinary Flavio, ” turns into the man that Lupe cannot help viewing in the confronts of unknown people. Although Lupe never explicitly states what she adores about Flavio, the arc of her affection seems to increase in those times in which this individual displays assurance in his genuine Mexican personality. This sort of identity is rooted in as well as personal reports rather than in studied or perhaps borrowed understanding. It comes coming from lived experiences and via traditions using a lowercase t rather than coming from traditions constructed around formal rites. What historical social knowledge Flavio does have is only valuable to him because it was his grandmother’s. Often , the moments by which Flavio exhibits Mexican credibility (the boogie lessons, his statement regarding knowing who he is) are also the occasions that grow the seed products of self deprecation in Lupe. It seems that Lupe is most drawn to Flavio’s self-assurance, and the even more she wrist watches him, the closer your woman gets to questioning herself. Prettiness has a immediate relationship to self-confidence. “It’s got to do with believing it, inch Lupe says early on.
When Flavio leaves, Lupe finds himself in mayhem. She describes anger, pain, and fear in his absence. First, the lady blames her situation for the inevitable damage that like wreaks around the world. She asserts the fact that world works smoothly till love also comes in and causes damage, then, immediately, she repay her assertion: “Not accurate. The world provides always switched with its path of container cans rattling behind it. inch After visiting this conclusion, instead of searching outward pertaining to explanations the girl turns back to the inside to equally literally and figuratively indicate: “Everything’s want it was. Apart from this. When I look in the mirror, I am just ugly. Exactly why I under no circumstances noticed before? ” (160). When states that anything is like it was perhaps, the lady means that the chaos the girl experiences post-Flavio is just one more example of the trail of tin containers rattling because they always carry out. Or perhaps the girl simply means that the material facts of her life are merely as they were before Flavio. The irony of the passage is the fact, despite Lupe’s claim, for us, the readers, almost everything has changed.
When Lupe looks in the mirror the lady notices, initially, that your woman doesn’t like what the lady sees. The lady, unlike Flavio, is no longer pretty. Her appears have not improved, but her willingness to self-reflect has. Given that which we know about the connections among pretty and authenticity, Lupe’s observation that she is unpleasant implies that the girl does not think authentic. This can be the first time that Lupe describes her personal appearance inside the story, recommending that it is the 1st time that this lady has been happy to look at himself critically. In early stages she utilizes a satirical tone to call out Isaresma Izaura Coronada and her husband for decorating their house with the veneer of ethnical authenticity. The girl makes lists to phone attention to the very fact that they work with academia and symbolic items to construct id rather than living through it. Yet up until this point, Lupe has become hesitant to look at herself throughout the same contact lens. In this moment, Lupe perceives herself while ugly, as opposed to Flavio, whose authentic connection with Mexican identity makes him pretty. This kind of passage implies that she has turn into critical from the way the girl mines the ancient past in an attempt to very own her identity. Moreover, the lady not only detects her methods of performing id ugly, nevertheless also wonders to their self why the girl wasn’t capable to see such deficiencies faster.
This kind of passage is important to the account because it markings a turning point. It markings the beginning of Lupes willingness to reflect on the beliefs that she has placed for the first half of the narrative. After the events on this passage, Lupe begins to query what it means to have. She begins to focus on living in the present, about being someone who makes items happen, not someone whom things occur to. She lets go with the idea of yin and yang, her declaration that free forces come in pairs, and instead reinterprests hacer el amor es experimentar to signify she can invest in love for himself. Six pages after her initial self-reflection, she has shifted away from her obsession with proving himself through old history and rather focuses on the present “with work of the future or perhaps past. Today. Hurray. Hurray! ” (165).