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War and Social Consciousness in Different Eras Essay

. In Stanley Kubrick’s anti-war film1963 DOCTOR STRANGELOVE and Oliver Stone’s1986 anti-war film PLATOON, there is also a conscious hard work played through both videos to display the insanity of war with all the goal of raising interpersonal consciousness and public recognition. The 1980’s saw a drop in the risk taking of previous years mainly because the film business had been overtaken by the firm mindset that existed in other industries.

By 1990’s, this decline was completed the moment marketing and efforts to industrial engineer as opposed to make films solidified itself which uneventful trend lasted before the end in the decade. Yet , there have been films that had a social conscious, so to speak, and allowed their particular cinematic undertakings rise to the level of art In a way, to relate to the two films since “anti-war” is usually to somewhat trivialize them. Whilst both films seek to negatively portray warfare and the harm that battle brings to the earth.

However , both films do not stop at criticizing war nor laying the rap only within the military, while both videos delve relatively further and seek to face people’s meaningful conscious to obtain them to understand that war could be a veritable nightmare whether it be the weird night of DR . STRANGELOVE or the confrontationally “earthy” nightmare of PLATOON. In terms of the negative characterization of conflict in the movies, both videos describe an adverse portrayal of war by way of showing warfare as madness. In PLATOON, the madness is displayed by battle of a world that has become violently insane. In DR . STRANGELOVE, the madness is drawn out by way of demonstrating the deformity that people face in the realm of the potential indivisible war.

When it comes to the issue of ethical conscious, both equally films keep pace with impart a sense of conscious for the viewers through showing the more realistic areas of the conflict. Despite the fact that the earth had found many battles, no one genuinely understood what war appeared as if or was all about, certainly not did they will understand the attitude of the planners.

With DOCTOR STRANGELOVE, the film seeks to bring the audience in by pushing them aside as “the� audience is definitely rarely one of the characters in the story (the ending as an exception, if the audience connects to Kong in the ride� on the bomb, ) viewing the action like a fly on the wall, and thus has the luxury of not being overwhelmed by message, but rather is able to see the film as being a allegory. ” (Phyre)With PLATOON, the audience is usually confronted within a somewhat distinct manner. The group is not given the choice of being associated by being separate.

In PLATOON, the grit of war is proven throw the vicious world plus the vicious characters who live in this world “As a record of conflict, it seems.. the movie works in describing and showing the problems that had been endemic in Vietnam throughout the characters incompatible: Pvt Bob Taylor (Charlie Sheen), Sgt. Elias Grodin (Willem Dafoe), Staff Sgt. Bob Barnes (Tom Berenger) and the remaining ‘platoon’ display in every field the results of the not enough leadership, deficiency of a clear moral cause, as well as the lack of trickery wisdom around the parts of the war-runners. ” (Wardrope)  From this, it is clear that both PLATOON and DOCTOR STRANGELOVE make an effort to show the insanity of warfare, but do this in completely different ways.

STRANGELOVE plays the absurd people in the film as the backdrop to the nonsensicality of pursuing the policy of mutually assured destruction. In PLATOON, the viciousness from the characters can be played being a backdrop towards the viciousness in the Vietnam War. Both movies approach all their anti-war subject material strongly, but their approaches will be modified to adjust to the sensibilities of the time.

The funny range in DOCTOR STRANGELOVE “Gentlemen! You can’t fight in here, this is a warfare room! ” illustrates the characters are extremely far detached, that they have lost all strategy that there is real violence connected to their action. The entertaining exchange regarding breaking a soda equipment and “Having to answer for the Coca-Cola company” display deficiency of realization concerning how much electricity they master which is a pun regarding the underlying motif the characters do not realize how much electricity the atomic bomb features. In PLATOON, the character types are so far into the violence, that there is simply no humor to be enjoyed.

All they can do is definitely wait until the next ambush which will lead to their doom. They are living lifeless men every waiting for their particular end of days. “Chris’s journey is known as a classic one, and experience it is roots in the classical Greek epics. The young idealist marches off to fight a war for ideals or other romances, and discovers a warfare of politics, of betrayal, of discomfort, of violence and fear.

Chris provides his gods too; Elias offers sensible counsel and the desperate words of existential compassion in the midst of insanity, when Barnes offers the voice of pragmatism, of combat animalism, of the regulation of the jungle and humanities own barbaric roots. ” (Wardrope) It is vital to note that Kubrick’s initial draft of DR . STRANGELOVE was supposed to be a serious warning of trouble to arrive based in extremely real characters similar to PLATOON, but Kubrick found the concept of nuclear battle to silly to take really so this individual could joke about the concept. Could one particular ever laugh about the war in Indochina?

The images of building blast shelters and purchasing radiation proof clothing was something persons took extremely seriously in 1963 if the United States was immersed in bomb culture. The Chilly War was far away as it existed in the abstract. The Vietnam Conflict had come to create chaotic turbulent times at home since protestors stormed the street to disrupt its status. Keep in mind, PLATOON was released in year 1986 and had place a great deal of range between house and the conflict. In fact , to get close to 10 years the American culture was numbing by itself with disco, cocaine and middle aged free love as a means of getting away the Vietnam Era that was just a decade previous.

America desired to forget and PLATOON will not let it. When ever DR . STRANGELOVE was first produced, it tried to make people aware of a indivisible threat, a threat that became genuine with the Cuban Missile Crisis.           � Quite a lot of the blame the films place on the war is seen in how the blame lies in the way the characters interact with the situations around them. The truth that PLATOON shows regular war and never nuclear cases and the reality DR . STRANGELOVE only shows possible nuclear annihilation rather than the possibility of the war are not exact. There is always a possibility of both equally occurring therefore , in that view, there is a bit of selective business presentation of facts in order to in shape a storyline present.

Yet , the goal of these types of films’ story lines are to replace the social consciousness of people so they will take the horror of war (atomic or otherwise) seriously. Include these films been successful?           � Both Kubrick’s DR . STRANGELOVE and Stone’s PLATOON strive to raise open public awareness in regards to the insanity of war and do so by presenting the mayhem that is inherent with militarism. In Kubrick’s film, the madness is demonstrated via the separate, over the top lunacy of elemental proliferation and with Stone’s film, the insanity can be presented by simply showing the brutality of the trenches.

To a significant level, both of these films did a great deal to raise the conscious awareness of people to the issue of war. Whilst neither film can stop battles or stop them merely by presenting an outline of battle onscreen, they can slowly alter people’s thoughts towards war to a level. When this kind of concepts will be introduced to the citizenry, they can include a ripple effect. Persons will start to check out military attaque differently and start to turn resistant to the wantonness and randomness of war.

That, in and of itself, may deem the films since successful.           � In conclusion, the films’ PLATOON and DR . STRANGELOVE display that the true horrors of war are simply in the best insanity of war. That may be seen in how negative portrayal of conflict in the movies as both equally films illustrate a negative portrayal of conflict by way of displaying that conflict creates an atmosphere of insanity that is hard to escape; both equally films keep pace with impart a feeling of conscious within the viewers through showing a lot more realistic facets of the conflict that underscore and make the impression of madness that is out there in the environment; and by means of placing the blame for the bad consequences of insanity of war on individuals who are directly in charge of creating the environment that makes warfare possible.  WORKS CITED           � URL http://www.greenphyre.com/textDocs/Dr.Strangelove.htm http://www.duallens.com/index.asp?reviewId=112803