The young girl’s body is slumped upon an increased surface, when her brain is tilted to the left at a forty-degree angle. She’s draped within a sheer, white-colored blouse and apron, covering up a yellowish corset and light blue gown. A periwinkle scarf on her behalf head retains her blonde hair drawn away from her face, revealing her fine luminescent skin – lit up magnificently by the thin stream of light moving through the windowpane to her right – and innocent features.
The girl’s expression seems to be of real grief, because she appears down on the egg holder on the floor; it’s as if she gets lost some thing very special. This fresh girl just might be saddened at the fact that the egg bag has dropped to the ground and the ova are now damaged. However , the other subject material in the piece of art alludes to a larger size of loss. Immediately over a girl’s still left shoulder, a person – appearing about equivalent in grow older – stands with his human body swaying to his right. His right hip is pointed in the direction of the far left spot of the room, while his head is definitely tilted fourty degrees for the right, inside the opposite course of the fresh girl’s.
One could draw a line downward the middle of the painting and discover that there is symmetry between the small girl’s, and man’s, head. The egg basket can be centered in between them, setting up a focus on la scène du crime; a sun hat having a girlish ribbon around it lies delicately next for the basket, in which countless light eggs put broken, spewing yellow yolk. As one zeroes in with this fragment with the painting, it is vital to take note of the specific mise en scène.
In other words, the placing with the small cap next to the basket permits the designer to better inform a story of innocence, and imaginably the shattered ova define the losing of that purity.